And of course your ears are more sensitive to some frequencies than others. If two sounds are very different but one is much louder than the other, your brain may never perceive the quieter signal. For example, if two notes are very similar and very close together, your brain may perceive only one of them. Uncompressed audio, such as that found on CDs, stores more data than your brain can actually process. How is this accomplished? That's a somewhat complex topic, so we've devoted this entire chapter to explaining the process.
As mentioned in Chapter 1, The Nuts and Bolts of MP3, your typical MP3 file is around one-tenth the size of the corresponding uncompressed audio source. Well-encoded MP3 files can sound pretty darn good, considering how small they are. If you just want to get started creating and playing MP3 audio, you can skip ahead to Chapters 3, 4, and 5. You can skip this chapter if you're not interested in learning how MP3 works. Note that this chapter goes fairly deeply behind the scenes of MP3, and is somewhat technical in nature. In this chapter, we'll take a look at these elements in detail in order to understand exactly what's going on behind the scenes of MP3 encoding and decoding software, as well as some of the chicanery that takes place between your ears.
The entire MP3 phenomenon is made possible by the confluence of several distinct but interrelated elements: A few simple insights into the nature of human psychoacoustics, a whole lot of number crunching, and conformance to a tightly specified format for encoding and decoding audio into compact bitstreams. So what's the trick? How does the MP3 format accomplish its radical feats of compression and decompression, while still managing to maintain an acceptable level of fidelity to the original source material? The process may seem like magic, but it isn't. MP3: The Definitive Guide: Sample Chapter 2
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